nah-kev-ho-eyea-zim - Sculpture by Edgar Heap of Birds

we are always returning back home again

nah-kev-ho-eyea-zim, I learned today, is Cheyenne and means “we are always returning back home again”

Wheel by by Edgar Heap of Birds in front of the Denver Art Museum

Wheel was created specifically for its site at the Denver Art Museum and is rich in symbolism. Several American Indian artists were invited to submit proposals for a major public artwork to be located next to the museum’s North Building entrance. Use of the building’s curved wall was a key factor in Heap of Birds’s proposal—on it, in raised letters, he placed the Cheyenne words “nah-kev-ho-eyea-zim,” which mean “we are always returning back home again.”

Heap of Birds wants Wheel to be a gathering place for the community. The circle form is based on the Big Horn Medicine Wheel, a sacred site in northern Wyoming, as well as the circular form of a traditional Plains Indian Sun Dance lodge. The ten forked poles, or trees, are aligned with the summer solstice—on June 21st, the sun rises in an opening to the east between the first and last poles. Each tree is covered with words and drawings that recount different events in the history of American Indian peoples in Colorado and the surrounding region, from conflict over resources to global cooperation among indigenous peoples.

Talking in Sculptures – Denver Art Museum